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 [Leading Edge Mokume Gane Wedding and Commitment Rings]
Andrew Nyce Designs is introducing a new Collection to its line of Mokume Gane and Damascus Steel Wedding and Commitment rings. The Leading Edge Collection is defined by rounded raised edges that match the height of the domed profile of the Mokume Gane or Damascus Steel band.
[Leading Edge Damascus Stainless Steel Wedding and Commitment Rings]
If a prominently curved ring surface is more your style, the Leading Edge Collection is the right match. Your favorite Mokume Gane or Damascus Stainless Steel band is outlined with a liner and rounded raised edges made from Gold, Platinum, or Palladium to create a three-dimensional work of art. A domed profile is standard for Leading Edge rings and adds even more depth.
For an elegant ring with a little more edge, check out our Leading Edge Mokume Gane and Damascus Steel wedding and commitment rings.
Andrew Nyce Designs is dedicated to expanding and improving the Mokume Gane compositions we offer our customers. During the past few weeks, Andrew has been making a number of Mokume billets for the New Year. We thought you might be interested in seeing what these billets look like. And you might be interested in the new alloy combinations.
Billets 1 through 3 represent Mokume Gane compositions where we have introduced different precious metals to our existing color palettes. These new compositions may be added to our existing Mokume Gane color palettes in 2010. We continue to explore lower cost Mokume compositions that do not sacrifice elegance for affordability. Our goal is to provide Mokume Gane to suit your budget.
- Billet 1 – In this billet, we have taken the Desert Sunset palette (14K Palladium White Gold and 18K Royal Yellow Gold) and substituted the 18K Royal Yellow Gold with 14K Green Gold.
- Billet 2 – In this billet, we have taken the Glacial Mist palette (14K Palladium White Gold and Palladium-enhanced Sterling Silver) and substituted the 14K Palladium White Gold with 950 Palladium.
- Billet 3 – In this billet, we have taken the Ashes and Snow palette (950 Platinum, 14K Palladium White Gold, and Palladium-enhanced Sterling Silver) and substituted the 950 Platinum with 14K Green Gold.
Aside from being a lower cost alternative to Platinum and 18K Yellow Gold, the aesthetics of 14K Green Gold are very pleasing. We like it and hope you will too. And using 950 Palladium in place of 14K Palladium White Gold is a great way to provide a Mokume Gane with the classic, sophisticated look of Glacial Mist at a lower cost and with a more subtle contrast.
Billets 4 through 7 represent some of our standard Mokume Gane compositions. These billets are being made into rings for customers or for use in new ring designs that we will introduce in the first quarter of 2010.
- Billet 4 – Glacial Mist comprises layers of 14K Palladium White Gold and Palladium-enhanced Sterling Silver.
- Billet 5 – Maui Sunset comprises layers of 14K Palladium White Gold, 18K Royal Yellow Gold, 14K Red Gold, and Palladium-enhanced Sterling Silver.
- Billet 6 – Santa Fe comprises layers of 14K Palladium White Gold, 14K Red Gold, and Palladium-enhanced Sterling Silver.
- Billet 7 – Painted Desert comprises layers of 18K Royal Yellow Gold, 14K Red Gold, and Palladium-enhanced Sterling Silver.
Andrew Nyce Designs is in the final stages of developing seamless Contour Mokume Gane rings. Presently, our Contour Mokume Gane rings are patterned using flat sheet which, when cut to size and formed into a ring, results in a seam. The seam, in some cases, can disrupt the flowing pattern of the Mokume Gane. The new Seamless Mokume Gane rings are made with a random pattern and will complement our existing line of Contour Mokume Gane rings.
The seamless Mokume Gane process provides a fast, efficient, and lower cost method of making our Contour-patterned Mokume Gane rings. The advantages of seamless Mokume Gane vs patterned flat sheet include:
- Seamless Mokume Gane tube provides an unbroken pattern.
- More rings can be made from the seamless tube than from a hand patterned sheet of Mokume Gane, which translates to a lower cost per ring; this cost-savings is passed on to our customers.
- Seamless Mokume Gane rings can be sized up or down quickly and efficiently compared with Mokume Gane rings with seams.
Contour Mokume Gane Process
The process I currently use for making Contour Mokume Gane involves bonding a multi-layer stack of precious metal alloy sheets to form a billet. The billet is hot forged and cold rolled to a thickness suitable for hand-patterning and subsequently rolling into a sheet from which ring strips are cut. The ends of the strips are soldered together to form a ring that, typically, is set in a channel or lined. Part of this process involves aligning the Mokume pattern on either end of the strip.
New Seamless Process
In order to create seamless Mokume, I utilize a new die to bond the layers of precious metal alloy sheets. The process for bonding, hot forging and cold rolling the resulting billet for making seamless rings is identical to that for flat sheet Mokume. The billet is hot forged and cold rolled to the precise thickness suitable for deep drawing.
In the deep drawing process, the billet is placed over a tapered die and a punch is placed on top. The assembly is placed in a hydraulic press and pressure is applied forcing the punch to draw the disc through the die. The resulting cup-shaped form is successively drawn through smaller and smaller dies to form a long seamless tube that is suitable for patterning. Patterning the seamless tube is similar to that for flat sheet with the exception of a proprietary step called “ironing” which further reduces the thickness of the tube.
My current work with seamless Mokume is built on the experiments that I have conducted on seamless Mokume over the last years 6 years. Earlier experiments involved deep drawing a pre-patterned Mokume Gane sheet. The resulting pattern contained undesirable distortions and was not suitable for rings. Two years ago, I found that I could pattern and “iron” a tube of Copper and Sterling Silver Mokume Gane and achieve an undistorted pattern that was very attractive.
 Seamless tube of Copper/Sterling Silver Mokume Gane
So, I decided to extend the experiment to our Glacial Mist composition (14K Palladium White Gold with Palladium-enhanced Sterling Silver). Currently, I am patterning a tube of Glacial Mist Mokume Gane and plan to offer customers seamless rings made from this material in early 2010.
So far in 2009, Andrew Nyce Designs has added three new Damascus patterns to the five other patterns that we offer. Art Deco was introduced earlier this year. The Woodcut and Cosmic patterns were introduced in late Summer.
The Art Deco pattern has bold rounded and linear elements that intersect each with other forming modern motifs. Shown below are two rings with the Art Deco pattern: a JET Men’s ring with a black oxide coating (top) and an Embraced Wedding ring with an 18K gold channel.
Woodcut pays homage to the thick, flowing lines of a woodcut print. The pattern also reflects more Earthly forms such as the furrows in a freshly plowed field. Shown below are two Men’s rings with the JET ring sitting atop a BOLD ring. Both rings have the Woodcut pattern and a black oxide coating.
The wider Cosmic pattern mirrors the vast emptiness of space punctuated by striking and beautiful interstellar bodies. Shown below is a JET Men’s ring with the Cosmic pattern and a black oxide coating.
All of these patterns are available for any ring within any of the Andrew Nyce Designs Damascus Collections.
Jewelry Studio Notes (a technical discussion of Andrew’s work on new Damascus patterns)
Woodcut and Art Deco are both produced from the same starting material. We use a stacking arrangement consisting of alternating layers of 316L and 304L stainless steel. This assembly is bonded using a proprietary process. Then, the material is forged into a round bar of a predetermined diameter, twisted, forged into a square and then machined into a round bar. The Art Deco pattern is found on the surface of the round bar. If, after the twisting step, the round bar is forged flat instead of into a square, the result is the Woodcut pattern.
The Cosmic pattern is similar in appearance to both the Wood Grain and Celestial patterns. The starting materials for Cosmic are parallel layers of Damascus that have been twisted to a 70-degree starting angle, forged into a square shape, and then machined into a round bar. Both the Cosmic pattern and subtle variations of the Cosmic pattern are found on the surface of the round bar. From a production standpoint, the Cosmic pattern is an undistorted Wood Grain pattern.
[Blue Flame Rings set in an 18K gold channel (left) and platinum-enhanced sterling silver channel (right) ]
About 7 years ago, I began making jewelry using a unique process that incorporated an oxyacetylene torch to sculpt the surface of semi-solid silver alloys into ripples and waves. I enjoyed the challenge of this work and created some strikingly beautiful jewelry. However, I became so intensely interested in Mokume Gane and Damascus that I set this third jewelry-making technique aside. Until now. I have returned to the idea of creating jewelry with this process under the name Blue Flame.
Blue Flame Jewelry is created by sculpting silver alloys into ripples and waves using an intense oxyacetylene (blue) flame. The initial step involves subjecting a specially formulated sheet of silver alloy to a pre-oxidation and acid-etching treatment. This treatment creates a thin layer of pure silver on the surface of the silver alloy sheet.
Using an oxyacetylene flame, I preheat the sheet to just below the point where the interior of the silver alloy sheet begins to melt. The surface layer of pure silver, which has a higher melting point, remains solid. The challenge is to prevent the liquid metal alloy from “burning” through the solid pure silver layer. As I move the oxyacetylene flame across the sheet, liquid/solid regions are created which, in turn, create the ripples and waves as the alloy beneath the pure solid silver alternately melts and solidifies. The size of the flame and the pre-oxidation conditions determine the size of the surface features. Waves, ripples, swirls and even writing are possible in various scales with this technique.
Although this technique, also known as reticulation, can be used on gold or silver alloys, I have chosen to focus my efforts in the jewelry studio on silver alloys embraced in a channel of precious metal alloys. My initial emphasis will be on making rings, the first of which will be offered through one of our retailers, Taboo Studio in San Diego, California. The plan is to expand into more of our retail outlets into next year. In late 2010, I intend to offer other Blue Flame jewelry, such as pendants and earrings.
If you have any questions or would like more information about Blue Flame rings, please contact us.
 [Flame-sculpted necklace handcrafted by Andrew Nyce Designs in 2003]
Andrew Nyce Designs has added a new Stainless Steel Mokume composition to our Mokume Gane Men’s ring lineup. Golden Light Mokume is composed of stainless steel and 18K yellow gold. Golden Light Mokume features a stainless steel channel, which is the standard for all Mokume Gane rings in the Men’s Collection.
Andrew’s research in the jewelry studio enabled him to engineer this innovative marriage of precious metal alloy and stainless steel. Like Shadows and Light Mokume, our stainless steel and platinum-enhanced sterling silver composition, Golden Light Mokume is made with a random pattern. Both the Golden Light and Shadows and Light Men’s rings are relief polished with an aggressive abrasive that erodes away the precious metal alloys at a faster rate than either the 316L or 304L Stainless Steel. The result is a contoured relief on the surface of the ring that accentuates the pattern.
The Golden Light Mokume Gane Men’s ring would be a fine accessory for stainless steel and gold watches. Andrew is currently working on a red gold stainless steel Mokume composition that we intend to add to the Men’s Collection by year’s end.
Andrew Nyce Designs announces the launch of a new Collection for our Damascus Stainless Steel rings. For those who prefer a classic, uncomplicated look, the Damascus Essentials Collection is a simple, yet elegant design. The distinctive Damascus pattern is the star of this design and can be seen from all sides of the ring. The Essentials Collection of Damascus rings is a counterpart to our Mokume Essentials Collection.
Rings in the Essentials Collection mirror the look of our JET Damascus Men’s line. However, Essentials rings come in a broader range of widths (from 4mm to 10mm) compared to the JET rings (8mm to 10mm), which are geared toward the wider aesthetics of a men’s ring. Essentials rings also do not have the black oxide coating, which is standard on most of our Men’s rings. The ring profile is typically domed across the top to maintain the rugged beauty of this collection.
The following design options are available for rings in the Damascus Essentials Collection:
Adding a Liner
An inner liner adds to the strength and longevity of the ring and creates a two-dimensional contrast that complements the steel blue-gray of the Damascus band.
Adding a Black Oxide Coating
A black oxide coating creates a striking contrast for the etched surface of the Damascus pattern.
Please note that it is possible to order an Essentials ring with edges only. You must fill out a Custom Quote Form in order to select this option. Edges enable the Damascus band to stand out by framing it either in warm, vibrant colors (yellow or red gold) or cool, distinguished colors (white gold, platinum or palladium). Framing the band with gold, platinum or palladium only adds to its rarity, making it more of an expression of your personality and character.
[left to right, Damascus Meridian with hand-textured inlaid band, Damascus Meridian Ultra, Mokume Meridian]
Andrew Nyce Designs formally introduces our Meridian Collection of Mokume Gane and Damascus Stainless Steel wedding, anniversary, and commitment rings. The defining feature of this Collection is an inlaid band of gold, platinum or palladium alloy that encircles the surface of the ring. This precious metal meridian neatly bisects the distinctive Mokume Gane and Damascus Steel patterns. Meridian rings were inspired by our JET Racer Damascus Men’s line.
A meridian is an imaginary arc on the Earth’s surface connecting the North and South geographic poles. All locations along the same meridian have the same longitude. A meridian also can be defined as pathways through the body along which vital energy circulates. Both of these definitions speak to the concept of connectedness, whether it is between locations separated by vast distances on the Earth, within our own bodies, or on the surface of a ring. The Meridian Collection takes this concept of connectedness and wraps it around your finger.
In making a Meridian ring, the starting point is a plain Damascus Steel or Mokume Gane band. A narrow channel is formed along the centerline of the band using either hand tools or a mini lathe. Then, a precious metal alloy square wire is fitted into to the channel and soldered in place.
There are two styles available for Damascus rings: Meridian and Meridian Ultra. The standard Damascus Meridian ring has an inlaid band that is proportional to the overall width of the ring. Meridian Ultra has a narrower inlaid band compared to the standard Meridian style. Only Damascus Meridian rings have the option of a hand-textured inlaid band. There is one style available for Meridian Mokume Gane rings.
Andrew Nyce Designs has added another new patterned Mokume Gane to its line-up. In addition to twist-patterned, Contour (random), and Banded rings, Andrew Nyce Designs has developed a distinctive patterning technique, called Kaleidoscope patterning, for our Mokume Gane wedding, commitment, engagement and fashion rings.
The first Mokume being offered with this patterning is Moonlight Kaleidoscope. Moonlight Kaleidoscope, which is composed of 14K palladium white gold and platinum-enhanced sterling silver, can be ordered for rings in any of the Andrew Nyce Designs Collections, including Essentials, Embraced, Engagement, Meridian and Wedding Sets. Shown above (top to bottom) are an Embraced and Essentials Mokume ring with Moonlight Kaleidoscope.
The pattern is reminiscent of an old fashioned Kaleidoscope. In the case of Moonlight Kaleidoscope, the gray and light relates to the shadows and light we often see on the surface of the moon. A variation on this process would involve combining some of our existing Mokume color palettes such as Glacial Mist and Santa Fe. By doing so, not only will the pattern be different, but colors will be introduced into various areas of the pattern.
Jewelry Studio Notes (a technical discussion of Andrew’s work on Kaleidoscope patterning)
The origins of the Kaleidoscope pattern can be traced to our new Damascus patterns, Art Deco and Woodcut. In the Damascus process, stainless steel is stacked in specific configurations. For the Kaleidoscope patterning, precious metal alloys are stacked in essentially the same manner as for the new Damascus patterns.
“I use the TEMTP bonding system, which was developed jointly by Stewart Grice of Hoover and Strong, James Binnion of Binnion Metal Arts and myself, when making Mokume billets. Using this system, I am able to alternate parallel layers of various precious metal alloys with vertical slices from a previously bonded billet of the same alloys. This stacked assembly of alloys is bonded, forged and rolled, and then, sliced, twisted and rolled into a square rod; exactly the same procedure as when making a twist-patterned Mokume billet.”
“The square rod is patterned in the same way as for a twist-patterned billet. However, I am cutting into both the parallel layers as well as the vertical layers. Thus, the Kaleidoscope pattern shows the narrow parallel layers along with the wider layers of the vertical layers. The vertical layers become wider during the forging and rolling steps due to their orientation.”
For future iterations of the Kaleidoscope pattern, we will use different alloys depending upon the color and pattern trying to be achieved.
Andrew Nyce Designs continues to expand its offerings of patterned Mokume Gane rings. In addition to twist-patterned and random-patterned (Contour) rings, we have developed a new banded patterning technique for our line-up of Mokume Gane wedding, commitment, engagement and fashion rings.
Banded-patterning can be applied to any two-, three-, or four-tone twist pattern Mokume composition (color palette) including Glacial Mist, Ashes and Snow, Santa Fe, or Maui Sunset. Pictured above is Painted Desert Mokume, one of our three-tone Mokume color palettes.
As you can see, Banded Mokume rings have subtle wave-like patterns such as those found in the banded sandstone formations in Paria Canyon, Arizona. The design offers simplicity and elegance.
These gentle undulations will appear different depending upon the width of the ring and the Mokume color palette selected. Banded Mokume rings without the undulations are available upon request for those who prefer straight-line banded patterning.
The starting material for the banded patterning is the pattern found on the side of standard twist pattern Mokume billets. These billets consist of horizontal layers of different colored precious metal alloys in varying thicknesses depending upon which color palette is being used. However, Banded patterned billets do not require any twisting or re-rolling as the twist-patterned billets do. The small undulations are made by selectively forging the Mokume billet.
Because Banded Mokume rings require less time to process, pricing for these rings is up to 20% less than their twist-pattern Mokume counterparts.
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